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A dove suspended on a twisted cord of brass.
The Miroa Wall Lamp harmoniously blends the exquisite artistry of handcrafted stained glass with a dynamic solid brass hanging design, featuring a 100 cm adjustable twisted cord that creates an elegant sense of fluidity. Its shade uses traditional Tiffany-style techniques to assemble a symbolic white dove motif which, paired with the warm lustre of brushed brass, transforms light into a mesmerising display of colourful art. A soulful statement piece — designed to infuse your living space with vintage charm and modern artistic spirit.
Four Variations · One Silhouette
The Make
Solid brass arm and wall plate, brushed by hand to a soft warm finish — paired with a 100 cm twisted cord that lets you set the drop yourself.
Hand-pieced multicolour stained glass in the Tiffany tradition — each tile cut, leaded, and joined by hand to form the dove motif.
The Particulars
Bulb sold separately — fits a standard E26 or E27 base, 40 W maximum. We recommend a warm-white bulb to bring out the glass colours at their richest. Each shade is hand-pieced in the Tiffany tradition — small variations in the cut of individual tiles, the lead-line patterns, and the precise tone of the coloured glass are part of the craft, not a defect. The twisted cord is freely adjustable up to 100 cm — set the drop height to suit your bedside, hallway, or alcove. Hardwired install by a qualified electrician; rated for indoor placement, away from direct moisture.
Frequently Asked
For Trade & Specifiers
Solid H59 brass — hand-forged, never fades, only deepens with age. Built to last a lifetime and look better for it.
Explore the Brass Collection →Most "brass" fixtures on the market are zinc alloy with a thin copper coat — peeling within three years. Lumioshine uses solid H59 brass throughout: 59%+ copper content, twice the density, and a surface that only grows richer with age.
Lift it and you'll know. Every Lumioshine fixture is cast from solid H59 brass — uniform walls, dense and substantial. That weight is the material's most honest introduction.
Each piece is lost-wax cast, then hand-filed, polished and finished through at least twelve manual processes. No machine-stamped parts. Ever.
In lighting, "brass" is widely misused. These four qualities separate the real thing from everything else.
Real brass oxidises naturally into a deep, rich patina over time. Ten years in, it looks better than the day it was installed.
Copper ions continuously inhibit bacterial growth on the surface. Ideal for bathrooms and dining spaces.
Surface scratches or oxidation spots buff out completely with brass wax or fine-grit paper.
At ~8.5 g/cm³, brass is denser than aluminium and more corrosion-resistant than iron.
Brass colour is not paint — it's the result of chemical reaction, electroplating or mechanical treatment applied directly to the metal. The colour cannot peel.
A finish is not just a colour — it's how brass interacts with light. Each surface treatment creates a completely different mood.
High-polished brass glows amber under warm light and develops a richer patina with use.
Finish No. LS-01A deep red-brown tone that absorbs light — sculptural, weighty and understated.
Finish No. LS-02Hand-oxidised — dark in the recesses, warm gold on high points. Each piece unique.
Finish No. LS-03Mirror-grade chrome over brass — hard, wear-resistant, highly reflective silver-white.
Finish No. LS-04Low-saturation silver-grey that diffuses light softly without glare.
Finish No. LS-05Electroplated black with hand-applied brushing — subtle metallic sheen beneath black.
Finish No. LS-06
