Our best-selling family — aged-brass sconces, murano glass and warm wood, curated for the modern American home.
SHOP BRASS →From mid-century curves to minimalist lines — each style brings its own character. Mix and match to make a space that feels like yours.
From sizing guidance to 3D previews, custom finishes and one-of-a-kind color matching — our services help you get lighting that's truly yours.
Een enkele vorm, twee tinten messing.
De Frida Hanglamp combineert tijdloze elegantie met veelzijdig design, en biedt twee verfijnde afwerkingen die bij elk interieur passen. Vervaardigd uit kwalitatief messing, maakt deze hanglamp naadloos de overgang tussen warm antiek messing en glanzend messing, zodat u de afwerking kunt kiezen die het best bij uw ruimte past — en brengt ingetogen luxe en duurzame stijl naar eigentijdse en traditionele interieurstijlen.
Twee Hoogtes
Plafondplaat: ∅ 4,7″ (Dia 12 cm)
De Maak
Een uitgevoerde constructie in hoogwaardig messing, in Antiek Messing of Messing — de zuivere, veelzijdige vorm van deze armatuur steunt op de consistentie van één materiaal dat door beide afwerkingen loopt.
De Details
Beide afwerkingen krijgen karakter naarmate ze ouder worden — Antiek Messing heeft al een rijke patina, terwijl Messing geleidelijk aan zal verzachten met het verstrijken van de tijd. Schoon te maken met een droge, zachte doek; vermijd ammonia-houdende of schurende reinigingsmiddelen.
Veelgestelde vragen
Voor Vakdecorateurs & Ontwerpers
Solid H59 brass — hand-forged, never fades, only deepens with age. Built to last a lifetime and look better for it.
Explore the Brass Collection →Most "brass" fixtures on the market are zinc alloy with a thin copper coat — peeling within three years. Lumioshine uses solid H59 brass throughout: 59%+ copper content, twice the density, and a surface that only grows richer with age.
Lift it and you'll know. Every Lumioshine fixture is cast from solid H59 brass — uniform walls, dense and substantial. That weight is the material's most honest introduction.
Each piece is lost-wax cast, then hand-filed, polished and finished through at least twelve manual processes. No machine-stamped parts. Ever.
In lighting, "brass" is widely misused. These four qualities separate the real thing from everything else.
Real brass oxidises naturally into a deep, rich patina over time. Ten years in, it looks better than the day it was installed.
Copper ions continuously inhibit bacterial growth on the surface. Ideal for bathrooms and dining spaces.
Surface scratches or oxidation spots buff out completely with brass wax or fine-grit paper.
At ~8.5 g/cm³, brass is denser than aluminium and more corrosion-resistant than iron.
Brass colour is not paint — it's the result of chemical reaction, electroplating or mechanical treatment applied directly to the metal. The colour cannot peel.
A finish is not just a colour — it's how brass interacts with light. Each surface treatment creates a completely different mood.
High-polished brass glows amber under warm light and develops a richer patina with use.
Finish No. LS-01A deep red-brown tone that absorbs light — sculptural, weighty and understated.
Finish No. LS-02Hand-oxidised — dark in the recesses, warm gold on high points. Each piece unique.
Finish No. LS-03Mirror-grade chrome over brass — hard, wear-resistant, highly reflective silver-white.
Finish No. LS-04Low-saturation silver-grey that diffuses light softly without glare.
Finish No. LS-05Electroplated black with hand-applied brushing — subtle metallic sheen beneath black.
Finish No. LS-06




